By Marissa Moss
Although such a lot scholars are accustomed to the tale of the way patriots poured tea into Boston Harbor to protest the tax, they won't concentrate on the tales of comparable tea protests in different colonies. Moss explores 4 assorted towns (Boston, Charleston, long island, and Philadelphia), describing how anger over the taxes on tea helped gasoline the yankee Revolution. The ancient bills are expertly instructed, and readers may be simply drawn in. the writer explains why the tax was once at the beginning placed into position after which strikes throughout the occasions surrounding the marketing of tea. fundamental records that come with letters, ads, maps, and newspaper articles are interwoven.
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Extra resources for America's Tea Parties: Not One but Four! Boston, Charleston, New York, Philadelphia
The round television screen was available in receivers until the early 1950s, when the slightly bulging rectangle with softly rounded corners won out to become the dominant screen configuration, and thereafter a generic logo for television itself. But a historical backward glance shows that the shape was by no means new in twentienth-century America. For one thing, the smallscreen sets in huge cabinets were immediately reminiscent of the radio, as a story by Bobbie Ann Mason makes graphic. "The set ...
It's a beautiful piece of furniture. Keep your Sony on it"). The portable design in its dematerialized state was broken free of the idea of furniture. At that point the television receiver, entrenched in the habitat, smuggled into it in the guise of furniture to facilitate technological change, was permitted to escape the huge carapace in which it had first traveled into the American habitat. The Custom of the Country It may not be possible to know whether television, newly come to the habitat, was as dislocative as certain texts suggest, but indications are that for the white middle class, existing codes of conduct did not readily accommodate the new technology.
The screen shape is culturally naturalized, no longer the face of the cathode ray tube but an inscription of safety and security to be deployed throughout the culture. Television Lexicon In 1948, H. L. Mencken wrote an essay on "video verbiage" in which this journalist and social critic, who had undertaken a two-volume study of the development of American English, mused about the new terms entering the language as a result of television. Just as movies had borrowed a technical vocabulary from the stage, and radio in turn "filched words right and left from the movies," so television, in the late 1940s, he noticed, was borrowing heavily from its own antecedents.